Route to ROOTS

   

   

  

I wasn’t really blown away by the photos/artworks on exhibit at Jeu de Paume gallery  

but there was this installation that hit home…   

  

It was by artist ESTHER SHALEV-GERZ,    

who interviewed the first generation immigrants of Botkyrka in Sweden and asked them these questions…  

 

Since you first settled here, 

WHAT DID YOU LOSE?   WHAT DID YOU FIND?   WHAT DID YOU GET?  WHAT DID YOU GIVE?   

 

I wrote down the answers (from the transcript) that I can relate to.  

“I felt I had lost smells, colors, views and places where I lived and where I was born. There was something missing. I missed also some tastes. My mother tongue is your foreign language. The price is that I can never see the world as human being who comes from a specific place. I lost my personal identity. I lost the community, relationships, the possibility that your relationships will grow. I lost the landscape…”   

 

“My heart, half of my life is there, you can’t just forget it like that. I come to a foreign country to start all over. Maybe when you leave your home country you know consciously or subconsciously you have left behind things that you don’t want to bring along in some way. It’s very complicated. But I have it here inside me all the time. I don’t really know what I’ve gained and I don’t know what I’ve lost either, maybe I’ve gained wealth and diversity but lost kinship. The whole time you have to struggle to prove that you can. Even though we had everything I’ve felt that they were not our own things.”    

 

“I am happy, I am broader. I got space…both mental and well space. But you can always begin zero in your life, it doesn’t matter what age. I cannot be ashamed of my roots… You cry differently and laugh differently in your own language than you do in a new language.”    

 

“They say you have more baggage when you carry two cultures, two languages and that is both good and bad. There’s also a feeling of freedom in that, but also some loneliness. You both lose and find things. Valuable things in life that can be of critical importance for a person’s personality. What you lose…in some ways you lose the roots that you had back home. You’re uprooted from your origins and leave behind your childhood memories that are sacred to every person. You begin a journey to uncertainty, a very unsure future, you don’t know what’s going to happen. I felt like a plant without its roots.”  

~

 

I remember a woman who went to my PARALLEL UNiVERSE exhibit opening in Paris    

and mentioned the presence of trees in my photo collages, for her it symbolizes our roots.  

 One should not forget our roots, Wherever we may be.   

 

  

 

   the-making of some photo collages from PARALLEL UNiVERSE

    

  “I feel that the roots are the ones that are inside of me and I carry them with me no matter where I am in the world.” 

 

  

Esther Shalev-Gerz 

Jeu de Paume 

9 February – 6 June 2010 

 

walk with me

COME,

Walk with me…

 

 here we are at Beaubourg

 

where we can stop by at Centre Georges Pompidou.

Got meself some Art books on Surrealism, Dadaism & Eros’ Collages

 

 

Let’s continue the journey…

So here we are now at Rue Mouffetard

 

 

 where we can find their version of our Andoks Manoks ay oks gegoks

 

Wait, I smell something rotting….

Mmmmm Fromage! YUMMEY!

 

With moolah all spent at Pompidou’s bookshop (which I don’t regret bien sur)

it is advisable to just continue exploring…

 

 

 Here’s some Art for free!!!

 

J’aime beaucoup!

 

 

shooting the shooter

 

 HOPE YOU ENJOYED THE TOUR!

 

I’ve been doing a lot of walking here, good exercise and nice way to discover things.

Walking gives me time to think… I love talking (in my head). Great time to reflect about stuff too.

I smile a lot when I walk (haha weirdo)

 happy thoughts, happy thoughts throughout…

 

 

getting to know Madame Bovary

 

Went to the village of Madame Bovary.

Camille told me it’s a character from a famous book written by a French writer.

 

Madame bovary, in despair, swallowed arsenic that she got from a droguerie.

 

Madame Bovary is Gustave Flaubert’s first published novel and is considered his masterpiece. The story focuses on a doctor’s wife, Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life. Though the basic plot is rather simple, even archetypal, the novel’s true art lies in its details and hidden patterns. Flaubert was notoriously a perfectionist about his writing and claimed always to be searching for le mot juste (“the right word”).

 

Madame Bovary, on the whole, is a commentary on the entire self-satisfied, deluded, bourgeois culture of Flaubert’s time period. His contempt for the bourgeoisie is expressed through his characters: Emma and Charles Bovary lost in romantic delusions; absurd and harmful scientific characters, a self-serving money lender, lovers seeking excitement finding only the banality of marriage in their adulterous affairs. All are seeking escape in empty church rituals, unrealistic romantic novels, or delusions of one sort or another.

Flaubert declared that much of what is in the novel is in his own life by saying,

“Madame Bovary, c’est moi”.

 

 

C’est la VIE

 

This poster caught my eye 😀

ART related to Death & Skulls,  I HEART!

 

made out of black gloves & colored pencils
i see dead people
handcarved fruit & vegetables

 (shot with my mobile phone)

 

 

I loved the different Art interpretations of Death.

From Classic paintings to Contemporary Art, Caravaggio to Damien Hirst!

There were paintings, sculptures, video, photographs, installations, and even jewelry.

 

DAMIEN HIRST's diamond encrusted skull
JAN FABRE

CARAVAGGIO

 

Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th century these could be extremely morbid and explicit, reflecting an increased obsession with death and decay also seen in the Ars moriendi, Danse Macabre and the overlapping motif of the Memento mori.  Paintings executed in the vanitas style are meant as a reminder of the transience of life, the futility of pleasure, and the certainty of death. They also provided a moral justification for many paintings of attractive objects.

 

GUIDO MOCAFICO

NICOLAS RUBENSTEIN

 

Vanités Lives on ! 

 

* (last 6 images from the Net)